CDoupbles :: WunsCH :: Beim Versteckpiel "der Spielbereich sollte möglichst im Freien und großflächig sein."

Veronika Tzekova, CDoupbles, 2013- ongoing

CDoupbles :: weiter verschleiern :: GENUnSS

Veronika Tzekova, CDoupbles, 2013- ongoing

CDoupbles :: LUXUnS :: The Seasonal Edition

Veronika Tzekova, CDoupbles, 2013- ongoing

CDoupbles :: Verschleierungen :: LUXUnS

Veronika Tzekova, CDoupbles, 2013- ongoing

CDoupbles :: The larger, largely ignored part of the HONORARy position of being an artist

Veronika Tzekova, CDoupbles, 2013- ongoing

CDoupbles :: THErORISTS

Veronika Tzekova, CDoupbles, 2013- ongoing

CDoupbles :: sWORD :: SchWERT :: Playing with weapons

Veronika Tzekova, CDoupbles, 2013 - ongoing

Veronika Tzekova, CDoupbles, 2013 - ongoing

A/N:  the added values, the extended meanings, the better 80% and  57% and their long-term relationship

CDoupbles :: Gutten Tag Herr Hegel! use less useless

Veronika Tzekova, CDoupbles, 2013 - ongoing

A/N to the non-detail oriented: the beginning, the end, the power of repetition and random qualitative changes (and where and how they come together)

CDoupbles :: gASTRONOMY #15: the troffi fee

Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: MODE #1 : The Modern Muses Use & Amuse #fashionandbeautyindustry

Veronika Tzekova, CDoupbles, 2013 - ongoing

"Be thou the tenth Muse, ten times more in worth

Than those old nine which rhymers invocate."

A/N: A clearly stated liaison between inspiration and psychoactive substances, at first reading.

A celebration of substance abuse, namely of the modern muses Use and Amuse, in its pure form as “patterned use of a substance in which the user consumes the substance in amounts or with methods which are harmful to themselves or others”, at a further reading.

#fashionandbeautyindustry

CDoupbles :: THINK PrOZacTIVE #happinessindustry

Veronika Tzekova, CDoupbles, 2013 - ongoing

#happinessindustry

CDoupbles :: rebus of the day :: POlitiker :: Pars pro toto :: FREE LOGO

Veronika Tzekova, CDoupbles, 2013 - ongoing

*Po (de) = bottom, ass, butt (en)

CDoupbles :: cAGE :: c-ing nowadays, Default Formatted

cAGE





Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: KonJUNKtur von exisTIERen

Futur I*

ich werde existieren

du wirst existieren

er wird existieren

wir werden existieren

ihr werdet existieren

sie werden existieren

________________________

* KonJUNKtur von existieren

Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: normALLity is the new black and red lines personal horizons

Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: blEND

Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: gmbstcOLD emboLdiment

Veronika Tzekova, CDoupbles, 2013 - ongoing

P.S. "l" is not missing in the post title (gmbstcOLD emboLdiment). "LOLD" came naturally.

CDoupbles :: heART :: chopping the heart in subsets and un/common vulgar factions

heart

chopping the heart in subsets and un/common vulgar factions

art ⊆ heart
 vulgar fraction 3/5 heart = art

vulgar fraction 2/5 heart =he
he ⊆ heart

he ∪ art=heart

heart ≠ he+art
he+art ≡ he-art

heart-he=art

heart-art=he

heart ∋ ear

hear!t

the prequel: pub_lishing

 spot the differences!

Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: ˈtɛn ʃən⊆ əˈtɛn ʃən

ˈtɛn ʃən⊆ əˈtɛn ʃən

The vulgar fraction two thirds of

competing for

concentrating

getting rid of

interrupting

performing

stimulating

alternating

controlling

identifying

simulating

sustaining

managing

absorbing

coming to

scattering

garnering

gathering

attracting

requiring

grabbing

orienting

handling

focusing

directing

avoiding

catching

needing

keeping

wanting

seeking

drawing

dividing

splitting

shifting

lacking

griping

getting

paying

having

calling

giving

liking

əˈtɛn ʃən

≡

ˈtɛn ʃən



Veronika Tzekova, CDoupbles, 2013 - ongoing

CDoupbles :: ˈla-tə-ˌtüd :: Geographical fragmentation of attitude

ˈla-tə-ˌtüd


Veronika Tzekova, CDoupbles, 2013 - ongoing

(Geographical fragmentation of attitude)

Spoken or transcribed phonetically, the ˈa-tə-ˌtüd, the settled way of thinking or feeling about something, appears embedded in the ˈla-tə-ˌtüd, the angular distance of a place north or south of the earth's equator (usually expressed in degrees and minutes) or the scope for freedom of action or thought.

pREISE & game epiphanies in o tigre de Lisboa: #8: Adults at wordplay: a CDoupble sequel

 ARTROSE (pt) and ART ROSE (en)


Veronika Tzekova, CDoupbles, 2013 - ongoing

(a cross-lingual CDoupble @  pREISE)

   Kunstlerin und Kulturvermittler. Coast-path. Praia do poça. Estoril. Portugal. Early evening. High tide. October. With the power of repetition, seeing and reading written text had become a value adding and meaning expanding act, creative dyslexia and associative reading, a lasting force to read and misread compulsively and insatiably anything written and signs of all kind. 

 Attracted to an info-board on the coast-path, the artist was discouraged instantaneously to proceed with the intention to read it: “Es ist Arthrose, nicht Art Rose.”, the Kulturvermittler said.

   On the top of the info-board stayed ARTROSE (arthrosis in Portuguese).

   Kunstlerin und Kulturvermittler. Coast-path. Praia do poça. Estoril. Portugal. Early evening. High tide. October. With the power of repetition, seeing and reading written text had become a value adding and meaning expanding act, creative dyslexia and associative reading, a lasting force to read and misread compulsively and insatiably anything written and signs of all kind and apparently contagious as well.

pREISE & game epiphanies in o tigre de Lisboa: #7: Our perceptions are gambles

An ostracon from the "Coptic period" in Egypt; stone technique; archaeological site: upper Egypt: governorate of Luxor?; present location Museu Nacional de Arqueologia, Lisbon.

No further info on what is depicted on it was found.
::::::::::::::::::::::::::

Adults at play?

Life in patterns?

I the reality tunnel, the truth is in the eye of the beholder and “our perceptions are gambles”.

::::::::::::::::::::::::::

Space Appropriators and CHAlleNGED Tic-tac-toes existed back than, or somebody had a vision:):):)

the onthesunontheSHADOWed Tic-tac-toe, 2013

the Space Appropriators/ KD Go, 2014

the Space Appropriators/ KD QUARTO!, 2013

the Space Appropriators/ Kanaldeckeled Tic-tac-toe, 2013

the HOL Tic-tac-toe, 2013

"...formal systems are based on changeable axioms and that conceptual operations have a game like nature."

pREISE & game epiphanies in o tigre de Lisboa: #6: Adults at play: Exercício de Estilo in Heaven and Hell

The name of the game is Himmel und Hölle 
(en: heaven and hell), a game that can be played with several players or alone, happens into numbered spaces of a pattern of rectangles outlined on the ground.

Sara and André, Mais Luz, 2014

ehibition Exercício de Estilo 

at 

the National Museum of Contemporary Art - Museu do Chiado, Lisbon.

The name of the artwork is Mais Luz (en: More Light).

The name of the exhibition is Exercício de Estilo.

pREISE & game epiphanies in o tigre de Lisboa: #5: Adults at play, the wine-bearer and the sardines

 Adults at play + FAST cup (and the whole bottle)-bearer + Festas de Lisboa’14, Alfama, Lisbon

pREISE & game epiphanies in o tigre de Lisboa: #4: life in patterns. A souvenir.

A souvenir from Casino Estoril (the biggest in Europe). Impressive but not inspiring place to play. Apart of the masses of slot machines and eating people, each of the roulette table had its own jettons. Both I found inelegant and discouraging the swingy mood, which is a must for me, when gambling.

Apart for its original purpose, about which I did not inform myself, the sheet can be used for a CHAlleNGE to play IrregularTic-tac-toe and One-row Tic-tac-toe. 

pREISE & game epiphanies in o tigre de Lisboa: #3: life in patterns. de·picture

de·picture

(the text is based on the images but is to be read before viewing them)

In the big picture- multiplying multiplied patterns

Grids

Grids within grids within grids

Regulations and repetitions

The power of repetition

System(s)

The small ones are more than the big ones

There would be no big ones without the small ones

The small ones vary, the big ones not

We do not see the end of both

But somehow we know it is there

From a distance only the big ones are to distinguish

The smallest we do not see

Multiple possibilities to play

No one plays

Did anybody else imagined to play on this abundance of grids

 in L size 

in M size

in S size

Xs&Os from Lisbon