Sunday, July 5, 2026

CDoupbles :: ausgANGSTür

 


veroniKATZEkova

“ausgANGSTür“

2023

Outdoor installation

Part of the exhibition “Das MUSEUM DER VERBORGENEN WÖRTER zu Gast im Stieglerhaus”

20. Juni – 1. September 2026

View Stieglerhaus, St. Stefan ob Steinz, Austria, 2026


 Fear in Eden

 An unknown force, time, nature, or the human factor has caused some of the letters on the sign on an exit door to fall off. From Ausgangstür, only Angst is left; the rest are scattered on the ground.

The German word Ausgangstür (exit door) contains another word: Angst (fear). It has always been there, unnoticed. “ausgANGSTür“ makes this hidden linguistic structure visible. This linguistic revelation shifts attention from architecture to psychology.

Installed in the idyllic garden of Stieglerhaus in St. Stefan ob Steinz—a place dedicated to art, culture, and education—the work enters into dialogue with its surroundings. The almost Paradisiacal garden evokes a sense of protection, familiarity, safety, home and the idea of a world that appears complete in itself. The intervention transforms this seemingly self-contained landscape into a conceptual space.

The exit door ceases to be merely a functional object. Standing alone in the open, the door separates nothing. Detached from any wall, it recalls the portals of science fiction—a teleporter, a gateway to another world. It stays there like a monument to the fear of the unknown.

In this sense, “ausgANGSTür” is less a door than a mechanism. It visualises the moment when fear begins to structure our perception of the world—when openness becomes exposure, the unfamiliar becomes a threat, and the horizon turns into a border. Read this way, the work reaches beyond the individual. It touches on the social and political consequences of fear: the desire to withdraw, to fortify, to define who belongs inside and who remains outside.





Monday, June 29, 2026

CDoupbles :: FriedenSNOBelpreis




veroniKATZEkova


“FriedenSNOBelpreis“ I and II (de / en)

2026


The highlighted word SNOB is already contained within the German word Friedensnobelpreis (en. Nobel Peace Prize) in the appropriated screenshots of news platforms. The works do not manipulate language but reveal an existing linguistic structure. Once brought into a political context, however, this act of revelation is no longer neutral: meaning emerges through the viewer’s interpretation, which naturally varies depending on their background and mindset.

“friedenSNOBelpreis” I and II perfectly capture how the raw tragedy of seeking peace is repackaged into a highly staged spectacle for elite global audiences. Whether by inverting a wartime uniform into a form of high-society snobbery to command moral superiority on the world stage, or by treating the world’s highest peace prize as a transferable luxury trophy used to flatter international superpowers, the works point to a central tension: “peace” on the global stage is often less about concrete work on the ground and more about the theatricality of its presentation.

Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter IV, 16 May – 30 June 2026. On view 24/7, display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria.




Wednesday, June 10, 2026

CDoupbles :: waffeNEINsatz

 



veroniKATZEkova


“waffeNEINsatz“

de. Waffeninsatz = en. use of weapons“ / deployment of weapons; de. nein = en. no


Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, November 22 – June 30, 2026.
On view 24/7, display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria.



 At the midissage (29 January 2026) of my exhibition on the theme of war, “wAFFENstillstand in friEDENsgefährdeten Zeiten” (War in Language – Made Visible Through Hidden Words), we joined forces with Mayor Elke Kahr, Johannes Wolfgang Sfiligoj (Atelier 12), and the guests to hold a protest banner featuring my "CDoupble" “waffeNEINsatz” in a short performance—a collective gesture against violence.






Friday, May 29, 2026

CDoupbles :: WAR· NING

 





veroniKATZEkova
“WAR· NING“ (en / zh)
2025
zh (Chinese): 宁 (níng) = en: peace, calm, safe



Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”,
Chapter 4, 16 May – 30 June 2026.
On view 24/7, display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria.




Friday, May 15, 2026

CDoupbles :: spyWARe

 




veroniKATZEkova

spyWARe”


2025


* Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter 3, 21 March – 16 May 2026. On view 24/7, Display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria




Friday, May 8, 2026

CDoupbles :: BULLet

 

 veroniKATZEkova

“BULLet” (en)



A bullet is fast and dangerous. The embedded “BULL” in this “CDoupble” evokes brute force and aggression. The visual pun makes the bullet feel almost like the “Charging Bull” sculpture — unstoppable, life-threatening, driven by greed, and blind to human suffering. Allusions to the ruthless militarisation of society and the monetisation of war are inevitable as well.
Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter 3, 21 March – 16 May 2026.

On view 24/7, display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria.



Wednesday, May 6, 2026

CDoupbles :: kamPFAUftrag

 


veroniKATZEkova
“kamPFAUftrag”
2025

de. Kampfauftrag = en. combat mission / battle order
de. Pfau = en. peacock

The peacock, as a metaphorical representation of being very proud, shows off at the centre of the CDoupble “kamPFAUftrag”. “kamPFAUftrag” exposes how military ambitions and wars can become ego-driven performances—acts of self-staging fuelled by entitled arrogance, where war becomes a dangerous ego booster.


* Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter 3, 21 March – 16 May 2026. On view 24/7, Display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria




Monday, May 4, 2026

CDoupbles :: kriegSAUsbruch



 


veroniKATZEkova

“kriegSAUsbruch”

2025

de. Kriegsausbruch = en. outbreak of war
de. Sau = en. (derogatory slang) a person whose behaviour is perceived as mean, offensive, disgusting, or hateful; someone one is angry at or strongly dislikes.

“kriegSAUsbruch” is a “CDoupble” holding up the mirror to the moral filth that benefits from and perpetuates war.


* Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter 3, 21 March – 16 May 2026. On view 24/7, Display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria




Saturday, April 25, 2026

CDoupbles :: cybeRATtack

 


veroniKATZEkova


cybeRATtack”

("CDoupbles")


2025

"cybeRATtack" exposes a hidden inhabitant within the word cyberattack: the rat.

In English, the idiom “to smell a rat” means to sense that something is wrong—to detect a threat before it fully reveals itself. Suspicion emerges instinctively, often ahead of visible evidence.

Across many European cultures, the rat carries strongly negative connotations. It symbolizes betrayal, stealth, moral decay, and infiltration. As a metaphor, it often describes a deceitful or disloyal figure—one that operates in the shadows and causes damage from within.

Placed inside cyberattack, the rat becomes more than a linguistic coincidence. It sharpens the meaning of the term: an attack that is not only technical, but also insidious—hidden, invasive, and difficult to detect until it is already at work.

"cybeRATtack" draws attention to this layered reading, where language itself reveals the nature of the threat.

* Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter 3, 21 March – 16 May 2026. On view 24/7, Display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria



Monday, April 20, 2026

CDoupbles :: kampFEINsatz :: militäREINsatz

 


veroniKATZEkova

“Fein & Rein” (de)

2025



de. kampFEINsatz en. combat operation
de. fein = en. fine
de. militäREINsatz en. military operation
de. rein = en. pure

“kampFEINsatz” and “militäREINsatz” expose how violence is linguistically softened through the seductive promises of fein (fine) and rein (pure), embedded within. Borrowing from pop aesthetics and advertising language, the piece mimics the mechanisms that package war as clean, precise, and necessary. The collision of playful surface and destructive imagery reflects a present in which military action is not only normalised but carefully branded. What appears loud and entertaining reveals a disturbing clarity: even war is sold to us as something efficient and sophisticated, almost admirable.


* Part of the exhibition “wAFFENstillstand in friEDENsgefährdeten Zeiten”, Chapter 3, 21 March – 16 May 2026. On view 24/7, Display window, Atelier 12, Münzgrabenstraße 24, Graz, Austria